Figure 1. Studies of ‘The Humanimal Body’
Figure 2. Studies of ‘The Humanimal Body II’, “(t)he total humanization of the animal coincide(s) with the total animalization of man’ (Agamben p.77)
Figure 3. The Human Condition as defined by Giorgio Agamben in ‘The Open’, C-Type Print, The Old Bank Vault Gallery, London 2018
Figure 4. ‘The Exoskeleton’, C-Type Print, The Exoskeleton Exhibition, Gallery@OXO, London 2018
Figure 5. ‘The Peacock Effect’, The Peacock Effect Exhibition, Leica Gallery Los Angeles Jan 2018
Figure 6. ‘Porcupine’, 4D Light Sculpture on Acrylic, Leica Gallery Los Angeles, 2018
Figure 8. ‘Protection’, Acrylic Print on Aluminium, Leica Gallery Los Angeles, 2018
Figure 9. Human Sea Urchin (Diodon nichthemerus), in ‘the Open’, Acrylic Print on Aluminium, The Old Bank Vault Gallery, London, 2018
Figure 10. Four dimensional perspex sculpture, 2018. Collaboration with Allen Jones, Whitaker Malem and Daen Palma Huse, Gallery@OXO London, 2018
Figure 12. Studies of The Human Sea Urchin (Diodon nichthemerus), in ‘the Open’, as defined by Giorgio Agamben
Figure 14. ‘Mitochondria -Metanarrative Of The Human Cell’, Contini Art, London 2017
Figure 15. Human ‘Sea Urchin In Constructed Reality’, Contini Art, London 2017
Figure 16. “Kaleidoscopic Elephant’, Tasveer Gallery, India, 2017,
“Humans use animals to transcend the confines of self and species; they also them to symbolize, dramatize, and illuminate aspects of human’s experience and fantasy.” (Daston and Mitman, Thinking with Animals, 2005)
